Electronic digital music history pre-dates the rock and roll age by decades. Most of us were not even about this planet when it started out its often hidden, under-appreciated and misunderstood development. Today, this ‘other worldly’ body of sound which commenced near a 100 years ago, may will no longer show up strange and unique as new generations have accepted much of it as mainstream, but it’s a new bumpy road and, to find mass audience approval, a slow one. KING SKO MURDER MUSIC
Various musicians – the modern proponents of electronic music – developed a love for analogue synthesizers again in the 1970’s and early 1980’s with unsecured personal songs like Gary Numan’s breakthrough, ‘Are Friends Electric powered? ‘. It absolutely was in this era the particular devices became smaller, readily available, more user friendly and more affordable for several of all of us. In this article My spouse and i will try to trace this history in easily comestible chapters and give examples of today’s best modern supporter.
To my mind, this is the beginning of a new epoch. To develop electronic digital music, it was not a longer necessary to have access to a roomful of technology in a studio or live. Hitherto, this was exclusively the domain of designers the likes of Kraftwerk, whose arsenal of electronic digital instruments and custom built gadgetry the rest of us could only have desired, even if we could be familiar with logistics of their performing. Explained this, at the time I was growing up in the sixties & 70’s, I nevertheless had little knowledge of the complexity of work that had set a standard in previous many years to arrive at this point.
The history of electronic music owes much to Karlheinz Stockhausen (1928-2007). Stockhausen was an In german Avante Garde composer and a pioneering figurehead in electronic music from the 1950’s onwards, influencing a movement that would eventually have an excellent impact after names such as Kraftwerk, Tangerine Dream, Brain Eno, Cabaret Voltaire, Depeche Function, not to mention the experimental work of the Beatles’ and others in the 1960’s. His face is viewed on the cover of “Sgt. Pepper’s Unhappy Hearts Club Band”, the Beatles’ 1967 master Aktualus. Let’s start, however, by traveling a little further back in time.
The Turn of the twentieth 100 years
Time stood still just for this stargazer when My spouse and i formerly learned that the first documented, exclusively digital, concerts weren’t in the 1970’s or 1980’s but in the 1920’s!
The first purely electronic tool, the Theremin, which is played without touch, was invented by Russian researchers and cellist, Lev Termen (1896-1993), circa 1919.
In 1924, the Theremin made its concert debut with the Leningrad Philharmonic. Fascination made by the theremin drew audiences to live shows staged across Europe and Britain. In 1930, the prestigious Carnegie Hall in New York, experienced a performance of classical music using nothing but a series of ten theremins. Watching a number of skilled musicians playing this eerie sounding instrument by waving their hands around its antennae must have been so exhilarating, unique and alien for a pre-tech audience!
For those interested, read the recordings of Theremin virtuoso Clara Rockmore (1911-1998). Lithuanian born Rockmore (Reisenberg) caused its developer in Ny to perfect the instrument during their early years and became its most acclaimed, amazing and recognized performer and representative throughout her life.